The Concertura uses no Carbon nor Nomex or other artificial materials as part of the top construction as we are aware that these materials are due to an unwanted change of the tonal behaviour of the classical concert guitar. We prefer to keep the sound of wood.
Our primary target developing the Concertura was not just “volume” as sadly many nowadays builders only seem to target, but much more the improvement of all tonal qualities. It is our goal to develop powerful instruments without the loss of their original beauty; to unveil colourful richness and subtle sounds; respecting the deep warm voice the guitar originally has and moves our soul.
This is what the phenomenal guitar player Roberto Aussel has learned me over the past years. His input has been fundamental for the new Classical Concert Guitar: the Concertura. I also wish to thank Ahmet Kanneci for his true support to start developing this model at the first place.